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Best Studio Ghibli Movies for Adults: Mature, Emotional and Thoughtful Picks

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Official Studio Ghibli still from Princess Mononoke, used as the featured image for an adult watch guide.
Official Studio Ghibli image via ghibli.jp.

Quick answer: the best Studio Ghibli movies for adults are usually Princess Mononoke, The Wind Rises, Grave of the Fireflies, Only Yesterday, Spirited Away, The Tale of the Princess Kaguya, Porco Rosso, Howl’s Moving Castle, When Marnie Was There, and Nausicaä of the Valley of the Wind. They are not “adult” because they are cynical or graphic. They work for grown-up viewers because they deal with grief, compromise, work, war, memory, desire, duty, and the cost of choosing a life.

RankMovieBest adult reason to watchGood first pick?
1Princess MononokeMorality, environmental conflict, violence, and impossible compromiseYes, if you want intensity
2The Wind RisesAmbition, art, love, illness, and the ethics of beautiful workYes, if you like historical drama
3Grave of the FirefliesWar, responsibility, pride, and griefNo, save it for the right mood
4Only YesterdayMemory, regret, adulthood, and quiet self-recognitionYes, if you want realism
5Spirited AwayWork, identity, greed, courage, and growing up without losing yourselfYes, the safest all-round pick
6The Tale of the Princess KaguyaFreedom, family expectations, beauty, and impermanenceYes, if you like artful drama
7Porco RossoDisillusionment, masculinity, fascism, charm, and self-exileYes, especially for older viewers
8Howl’s Moving CastleWar, vanity, aging, love, and emotional avoidanceYes, if you want fantasy
9When Marnie Was ThereLoneliness, family history, depression, and belongingYes, but it is melancholy
10Nausicaä of the Valley of the WindEcology, leadership, fear, and compassion under pressureYes, for classic fantasy fans
Official Studio Ghibli still from The Wind Rises for an adult Studio Ghibli watch guide
Official Studio Ghibli still from The Wind Rises, via ghibli.jp.

What makes a Studio Ghibli movie good for adults?

A good adult Studio Ghibli pick is not just a darker movie. Some of the studio’s most rewarding grown-up watches are gentle, funny, or outwardly simple. What changes is the angle of attention. An adult viewer notices the compromises adults make, the pressure of earning a living, the way families misread each other, and the sadness that sits behind beautiful places.

That is why this list does not simply rank the most famous films. My Neighbor Totoro is a masterpiece, but it is not the strongest answer for every adult searcher looking for depth. Kiki’s Delivery Service is wonderful for burnout and creative confidence, but several other films push further into responsibility, desire, politics, and regret. If you are choosing one film tonight, use the rankings below by mood rather than treating the order as a rigid canon.

1. Princess Mononoke

Princess Mononoke is the most complete grown-up Ghibli film because nearly every side has a point. Lady Eboshi destroys forests, but she also protects vulnerable people and builds a community for workers who would otherwise be discarded. San fights for the forest with a fury that is righteous and dangerous. Ashitaka is not there to win an argument. He is there to “see with eyes unclouded,” which is much harder than taking a simple side.

For adults, the film lands because it understands that many real conflicts are not solved by finding the single villain. Jobs, resources, survival, pride, ecology, and violence all collide. It is also one of the studio’s more intense films, so it is not the best family-night default for younger children. For a mature viewer, though, it is one of the clearest examples of why Studio Ghibli is more than comfort viewing.

2. The Wind Rises

The Wind Rises is one of Hayao Miyazaki’s most complicated films. It follows Jiro Horikoshi, a designer whose dream of beautiful aircraft becomes entangled with illness, war, industry, and national history. The film does not flatten that contradiction into an easy moral lesson. It asks whether devotion to craft can stay innocent when the world uses that craft for destruction.

That question is especially powerful for adults with jobs, ambitions, businesses, or creative projects of their own. Many people know the feeling of wanting to make something excellent while also living inside systems they did not design. The romance is tender, but it is not escapist. The film is about beauty under pressure, and about the fact that a dream can be sincere and compromised at the same time.

3. Grave of the Fireflies

Grave of the Fireflies is essential, but it should not be recommended casually. It is not a cosy sad movie. It is a devastating story about two children trying to survive near the end of the Second World War, and its emotional force comes from small practical failures as much as from large historical tragedy.

Adult viewers often read the film differently from younger viewers. Seita’s love for Setsuko is real, but so are his pride, fear, and poor decisions. The movie hurts because it understands that disaster is not only made of bombs and policies. It is also made of hunger, shame, social breakdown, stubbornness, and nobody stepping in soon enough. Watch it when you are ready to sit with it properly, not as a casual double feature.

4. Only Yesterday

Only Yesterday may be the most underrated adult entry point in the catalogue. It follows Taeko, a woman in her late twenties whose trip to the countryside brings back memories of school, family, embarrassment, and the younger self she still carries. Nothing explodes. No kingdom is saved. The stakes are the quiet but enormous question of whether she is living honestly.

For grown-up viewers, that can feel more direct than fantasy. The film captures how childhood memories return at strange times, not always as nostalgia, sometimes as unfinished business. It is a good choice for adults who like character studies, reflective dramas, and films about changing your life without pretending change is easy.

5. Spirited Away

Spirited Away is often treated as the universal starter Ghibli film, and that reputation is deserved. For adults, the bathhouse is not just a magical workplace. It is a miniature world of labour, consumption, status, exhaustion, and transactional relationships. Chihiro survives by learning how to work without surrendering her name or her kindness.

The film is also excellent for adults introducing someone else to Ghibli because it balances strangeness with momentum. It has enough wonder for first-time viewers and enough symbolic depth for rewatches. If you want one film that can satisfy both a new viewer and a long-time fan, this remains one of the safest choices.

6. The Tale of the Princess Kaguya

The Tale of the Princess Kaguya is a beautiful film about being loved in ways that can still become a cage. Its sketch-like animation makes every emotion feel immediate, from childhood joy to adult suffocation. The story asks what happens when family ambition, social performance, and ideas of status slowly bury a person’s own wishes.

Adults often feel the ache of this film because it understands pressure that comes disguised as care. Kaguya is treasured, trained, displayed, and misunderstood. The result is one of Ghibli’s most artful meditations on impermanence. It is slower than some of the studio’s biggest hits, but if you meet it on its own terms, it is unforgettable.

7. Porco Rosso

Porco Rosso looks breezy at first: seaplanes, pirates, jokes, a cursed pilot with a pig’s face. Underneath that charm is a weary film about fascism, survivor’s guilt, masculinity, and choosing exile before the world can disappoint you again. Porco is funny because he is hiding. The film’s lightness is part of its sadness.

This is a particularly good adult pick for viewers who want a shorter, stylish movie that still has bite. It does not explain every wound, which is part of why it improves with age. The older you get, the easier it is to recognise Porco’s cool detachment as both armour and prison.

8. Howl’s Moving Castle

Howl’s Moving Castle works for adults because its fantasy is full of emotional avoidance. Howl is powerful but terrified. Sophie is cursed into old age, yet the curse also frees parts of her personality that had been hidden by insecurity. Around them, war keeps intruding like a stupid machine that nobody sensible can justify.

The film is messier than Spirited Away, but that messiness has its own appeal. It is about people who do not fully understand themselves trying to love each other anyway. Adults who worry about aging, appearance, burnout, or conflict may find more in it than viewers who only remember the moving castle and the romance.

9. When Marnie Was There

When Marnie Was There is a quiet story about loneliness, identity, and family history. Anna’s isolation is not presented as a cute quirk. It feels heavy and physical, the kind of sadness that can make a person feel separate from everyone around them. The mystery gives the film shape, but the emotional subject is belonging.

This is a strong adult choice if you want something reflective rather than grand. It is also useful for viewers who connect with stories about anxiety, inherited pain, and the slow discovery that your life has more roots than you thought. It is not the loudest Ghibli film, but it lingers.

10. Nausicaä of the Valley of the Wind

Nausicaä of the Valley of the Wind technically predates Studio Ghibli, but it is often included in Ghibli guides because it shaped so much of what followed. For adults, the film’s ecological and political themes are still sharp. Fear makes societies violent. Leaders mistake domination for safety. Nausicaä’s compassion is not softness. It is discipline under pressure.

If you like Princess Mononoke, this is one of the best adjacent watches. It is more openly mythic and less morally tangled, but it shares the same concern with humans misunderstanding the natural world and escalating conflict because they cannot tolerate uncertainty.

Best Studio Ghibli movies for adults by mood

  • For serious drama: The Wind Rises, Only Yesterday, The Tale of the Princess Kaguya.
  • For political or moral complexity: Princess Mononoke, Nausicaä, Porco Rosso.
  • For emotional catharsis: Grave of the Fireflies, When Marnie Was There, Princess Kaguya.
  • For fantasy with adult themes: Spirited Away, Howl’s Moving Castle, Princess Mononoke.
  • For a first adult Ghibli night: start with Spirited Away if you want wonder, Princess Mononoke if you want intensity, or Only Yesterday if you want realism.

What should adults avoid starting with?

Do not start with Grave of the Fireflies unless everyone watching knows what kind of experience it is. It is brilliant, but it can give a new viewer the wrong idea that Ghibli equals emotional punishment. Also be careful with choosing only the cutest films if your goal is to show an adult why the studio matters. Totoro and Ponyo are lovely, but an adult who thinks animation is only for children may be more quickly convinced by Princess Mononoke, The Wind Rises, Only Yesterday, or Spirited Away.

Suggested adult watch order

  1. Spirited Away, for the most accessible mix of wonder and depth.
  2. Princess Mononoke, to show the studio’s moral and visual scale.
  3. Only Yesterday, to reset expectations with realism.
  4. The Wind Rises, for a mature historical drama about work and consequence.
  5. The Tale of the Princess Kaguya, for the studio’s most poetic adult tragedy.
  6. Grave of the Fireflies, saved for when you are ready for the heaviest film.

For broader routes, use the site’s Studio Ghibli movies in order guide, the first Ghibli movie recommendation guide, and the release timeline.

FAQ

Are Studio Ghibli movies actually for adults?

Yes. Many Ghibli films are family-friendly, but that does not mean they are only for children. The studio’s best films often reward adults more on rewatch because their themes involve work, grief, aging, politics, memory, and moral compromise.

What is the darkest Studio Ghibli movie?

Grave of the Fireflies is the darkest and most emotionally difficult. Princess Mononoke is also intense, but in a more mythic and action-driven way.

What is the best Studio Ghibli movie for adults who dislike animation?

Try Princess Mononoke for scale, The Wind Rises for historical drama, or Only Yesterday for realism. Those films make it hard to dismiss the studio as children’s entertainment.

Which adult Ghibli movie is the most comforting?

Only Yesterday, Porco Rosso, and Howl’s Moving Castle are good adult comfort picks, depending on whether you want realism, style, or fantasy.

Image note: Images used in this guide are official Studio Ghibli stills from Princess Mononoke and The Wind Rises. The official Studio Ghibli work pages include the usage note: “※画像は常識の範囲でご自由にお使いください。”

How Many Studio Ghibli Movies Are There? The Simple Count and What Usually Gets Included

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Totoro and the girls in an official Studio Ghibli still from My Neighbor Totoro
Official Studio Ghibli still from My Neighbor Totoro. Source: ghibli.jp.

If you just want the quick answer: there are 23 widely counted Studio Ghibli feature films if you start with Castle in the Sky, the first film made after Studio Ghibli was founded. Most fan lists show 24 movies because they also include Nausicaä of the Valley of the Wind, which was made before the studio officially existed but is closely tied to Hayao Miyazaki, Isao Takahata, and the creation of Ghibli.

The count gets confusing because official pages, streaming services, Blu-ray collections, and fan guides do not always draw the line in the same place. Some include co-productions like The Red Turtle. Some include TV or short works. Some include Nausicaä because it feels spiritually and historically inseparable from the studio. This guide gives you the practical answer, then explains what each count means so you can use the right number without getting lost.

Totoro and the girls in an official Studio Ghibli still from My Neighbor Totoro
Official Studio Ghibli still from My Neighbor Totoro. Source: Studio Ghibli.

Quick answer: how many Studio Ghibli movies are there?

CountWhat it usually meansBest use
23Main Studio Ghibli feature films from Castle in the Sky through The Boy and the HeronThe clean studio-history count
24The same list plus Nausicaä of the Valley of the WindThe most useful fan/watch-list count
25 or moreIncludes edge cases, co-productions, shorts, TV works, or catalogue entriesUseful for complete filmography discussions

For most viewers, the simplest answer is: watch lists usually treat Studio Ghibli as a 24-movie journey, including Nausicaä. If you are being strict about what Studio Ghibli produced after the company was founded, use 23.

Why does Nausicaä change the count?

Nausicaä of the Valley of the Wind came out in 1984, before Studio Ghibli was founded. That is why a strict production-company count can leave it out. But the film was directed by Hayao Miyazaki, produced by Isao Takahata, and helped create the conditions for Studio Ghibli to exist. In plain English: it is not technically the first Studio Ghibli production, but it is the Ghibli origin story for many fans.

This is why you will see Nausicaä appear in many boxed sets, rankings, watch orders, and beginner guides. Leaving it out can make the history cleaner, but it also makes the viewing journey feel incomplete. If someone asks what to watch before starting the studio’s earliest films, Nausicaä is the natural prologue.

The practical 24-movie fan list

Here is the practical list many fans use when they say “all Studio Ghibli movies.” It includes Nausicaä first, then the core Studio Ghibli feature run:

  1. Nausicaä of the Valley of the Wind
  2. Castle in the Sky
  3. Grave of the Fireflies
  4. My Neighbor Totoro
  5. Kiki’s Delivery Service
  6. Only Yesterday
  7. Porco Rosso
  8. Ocean Waves
  9. Pom Poko
  10. Whisper of the Heart
  11. Princess Mononoke
  12. My Neighbors the Yamadas
  13. Spirited Away
  14. The Cat Returns
  15. Howl’s Moving Castle
  16. Tales from Earthsea
  17. Ponyo
  18. The Secret World of Arrietty
  19. From Up on Poppy Hill
  20. The Wind Rises
  21. The Tale of the Princess Kaguya
  22. When Marnie Was There
  23. Earwig and the Witch
  24. The Boy and the Heron

If you want a friendlier route through these rather than a strict release list, use our Studio Ghibli movies in order guide. If you want the broader catalogue view, start with the All Studio Ghibli Movies page.

What about The Red Turtle?

The Red Turtle is the main edge case that can push counts higher. It appears on Studio Ghibli’s official works page and involved Studio Ghibli as part of an international co-production, but it is not usually what casual viewers mean when they ask for the core Ghibli movie list. It is wordless, beautiful, and absolutely worth knowing about, but it sits slightly differently from the Miyazaki, Takahata, Kondō, Morita, Gorō Miyazaki, and Yonebayashi feature run that most viewers are trying to navigate.

So if you are making a complete official-works reference, mention it. If you are making a beginner watch list for someone asking “how many Ghibli films should I watch?”, treat it as an extra rather than the centre of the count.

What is not usually included in the main movie count?

The main movie count normally excludes music videos, museum shorts, commercials, documentaries, and other special projects. Some of these are fascinating, especially for deeper fans, but they are not what most people mean when they ask how many Studio Ghibli movies there are. The question is usually about feature-length stories someone can watch at home or add to a movie marathon.

That also means the number can change depending on whether you are talking about theatrical features, official works, streaming availability, or a collector’s catalogue. The safest wording is: “There are 23 core Studio Ghibli feature films, or 24 if you include Nausicaä, which most fan watch lists do.”

Best answer for beginners

If you are new to Ghibli, do not worry too much about the technical count. Start with a few easy entry points, then branch out. My Neighbor Totoro, Kiki’s Delivery Service, Spirited Away, Ponyo, and Howl’s Moving Castle give you a broad taste of the studio’s range without forcing you to understand every production-history detail first.

After that, move into the heavier or more unusual films: Princess Mononoke, The Wind Rises, Only Yesterday, Grave of the Fireflies, and The Tale of the Princess Kaguya. The count matters less than matching the film to the mood and viewer. Ghibli is not one kind of cosy film. It includes comfort watches, war stories, coming-of-age dramas, environmental epics, romantic fantasies, and quiet adult reflections.

FAQ

Is Nausicaä a Studio Ghibli movie?

Strictly, Nausicaä of the Valley of the Wind was made before Studio Ghibli was founded, so it is not a Studio Ghibli production in the narrow company-history sense. Practically, most fans include it because it directly leads into the creation of Studio Ghibli and shares key creative DNA with the studio’s later films.

What was the first official Studio Ghibli movie?

Castle in the Sky is usually treated as the first official Studio Ghibli feature film. Nausicaä came earlier and is often included as the spiritual starting point.

What is the newest Studio Ghibli movie?

The newest main Studio Ghibli feature is The Boy and the Heron, released in Japan in 2023.

How many Studio Ghibli movies should I watch to understand the studio?

You do not need to watch all 24 at once. A strong starter set is My Neighbor Totoro, Kiki’s Delivery Service, Spirited Away, Princess Mononoke, Howl’s Moving Castle, and The Wind Rises. That gives you comfort, fantasy, adventure, environmental conflict, romance, and adult reflection.

Source note: Film titles and official work references were checked against Studio Ghibli’s official works page at ghibli.jp/works. Official stills on Studio Ghibli work pages include the notice that images may be used within common-sense bounds.

Best Studio Ghibli Movies for Preschoolers: Age 3 to 5 Watch Guide

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Ponyo and Sosuke in a bright official Studio Ghibli still, suitable for a preschooler watch guide
Official Studio Ghibli still, shared by Studio Ghibli for common-sense use.

Quick answer: the best Studio Ghibli starting points for most preschoolers are My Neighbor Totoro and Ponyo. They are gentle, visual, easy to follow, and built around children rather than older heroes. Kiki’s Delivery Service can work well for some 5-year-olds, especially children who already enjoy longer films, but it asks for a little more patience.

This guide is for parents, carers, and relatives who want a Studio Ghibli movie night without accidentally choosing one of the heavier films. Ghibli has a warm reputation, but not every film is automatically right for a 3, 4, or 5-year-old. Some movies include grief, war imagery, intense monsters, illness, long quiet stretches, or emotional ambiguity that works better for older children.

Ponyo and Sosuke in a bright official Studio Ghibli still, suitable for a preschooler watch guide
Official Studio Ghibli still from Ponyo, sourced from ghibli.jp.

The safest first pick: My Neighbor Totoro

My Neighbor Totoro is usually the easiest Studio Ghibli recommendation for preschoolers. It follows two young sisters moving to the countryside, discovering soot sprites, meeting Totoro, and exploring a world that feels magical without needing a complicated plot explanation.

For ages 3 to 5, the big strength is tone. The film is mostly soft, observational, and playful. There are memorable fantasy images, but they are not presented as threats. Totoro himself may look huge at first, yet the movie frames him as sleepy, curious, and protective rather than dangerous.

The main caution is the mother’s illness and the late-film worry when Mei goes missing. Sensitive children may need reassurance that the story is about family concern, not disaster. If your child is easily upset by separation, watch together rather than using it as a background movie.

The best ocean adventure: Ponyo

Ponyo is another excellent preschool choice because it moves through the world with childlike logic. A goldfish girl wants to become human, a small boy tries to protect her, and the sea becomes huge, strange, and beautiful. Children often respond to the bright colours, the simple friendship, and Ponyo’s big feelings.

It is livelier than Totoro. The ocean rises, roads flood, adults worry, and the waves can look enormous. Most of the danger stays fairy-tale rather than harsh, but a very nervous 3-year-old may find the storm scenes intense. For many 4 and 5-year-olds, though, Ponyo is exactly the right mix of wonder, silliness, and adventure.

If you are choosing between the two, pick Totoro for the calmest bedtime watch and Ponyo for a brighter daytime movie with more movement.

A possible 5-year-old pick: Kiki’s Delivery Service

Kiki’s Delivery Service is gentle compared with Ghibli’s heavier films, but it is a better fit for older preschoolers than for very young viewers. Kiki leaves home, starts work in a seaside town, loses confidence, and learns how to keep going when independence feels difficult.

There is no major villain and very little frightening material. The challenge is attention span. The story is more about mood, work, friendship, and self-belief than constant action. Some 5-year-olds love Jiji the cat and Kiki’s flying scenes. Others may drift before the emotional payoff.

Try it if your child already enjoys full-length animated films and can follow a character’s feelings over time. If not, save it until 6 or 7 and start with Totoro or Ponyo first.

What to save for later

Avoid assuming that every famous Studio Ghibli movie belongs in a preschool watch list. Spirited Away is brilliant, but the early transformation scenes, strange spirits, and loss of parents can be scary for small children. Princess Mononoke is far too intense for this age group, with violence, body horror, and complex moral conflict. Grave of the Fireflies should be saved for much older viewers because it is a devastating war film, not a cosy family fantasy.

Howl’s Moving Castle and Castle in the Sky can work for some children later, but they include more peril, battles, transformations, and story complexity. Preschoolers may enjoy individual moments while missing the shape of the film. That is not a failure. It just means the film will land better when they are older.

Age-by-age recommendations

Age 3

Start with short sittings rather than treating the whole movie as a test. Totoro is the best first option, especially if your child likes animals, forests, buses, and gentle family stories. Be ready to pause during the missing-child section near the end.

Age 4

Most 4-year-olds who enjoy movies can try Totoro and Ponyo. Choose Ponyo when they want colour, movement, and sea magic. Choose Totoro when they need calm. Keep the first viewing shared so you can explain storms, illness, and worried adults in simple terms.

Age 5

At 5, many children are ready for Kiki’s Delivery Service as a third step. It is especially good for children who are starting school, trying new responsibilities, or dealing with shyness. If they get restless, do not force it. Ghibli rewards rewatching at the right time.

Best viewing order for preschoolers

  1. My Neighbor Totoro, for the gentlest first Ghibli experience.
  2. Ponyo, for a brighter, more energetic follow-up.
  3. Kiki’s Delivery Service, for older preschoolers who can follow a slower emotional story.

After those, move gradually into other Ghibli films based on your child’s temperament, not just age. A confident 6-year-old may handle fantasy peril well, while a sensitive 8-year-old may still dislike parent-separation scenes or monsters.

Parent tips for a smoother first watch

  • Watch together the first time. Preschoolers often need quick reassurance more than a detailed explanation.
  • Use pauses freely. Ghibli films are not designed like loud modern cartoons, so a break can help younger children stay engaged.
  • Preview the premise. A simple line like “the sea gets magical, but the children are helped” can reduce anxiety.
  • Do not start with the most famous title automatically. Spirited Away is a masterpiece, but it is not the easiest first preschool pick.
  • Let them rewatch. Young children often get more from a safe favourite than from a constant stream of new films.

FAQ

Is Studio Ghibli suitable for preschoolers?

Some Studio Ghibli movies are suitable for preschoolers, but not all. My Neighbor Totoro and Ponyo are the best starting points. Heavier films should wait until children are older.

Is Ponyo scary for a 3-year-old?

It depends on the child. The story is warm and child-friendly, but storm and ocean scenes can feel big. If your child is sensitive to danger or flooding, try Totoro first.

Is Totoro too slow for young kids?

Some children find it calm rather than slow. It works best when watched as a cosy family film, not as a high-action adventure. Children who like gentle stories often connect with it quickly.

Which Ghibli movie should I avoid for little kids?

Do not start preschoolers with Princess Mononoke, Grave of the Fireflies, or the more frightening parts of Spirited Away. They are better saved for older viewers.

For broader family guidance, see the site’s Studio Ghibli movies for kids by age, Ponyo parent guide, and beginner-friendly watch order.

Image source note: the still used in this guide comes from the official Studio Ghibli image materials on ghibli.jp, where images are shared for common-sense use.

Comfort Studio Ghibli Movies: Gentle Watches for Stressful Days

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Official Studio Ghibli still used for a comfort Studio Ghibli movies watch guide
Official Studio Ghibli still. Source: ghibli.jp.

The best comfort Studio Ghibli movies are gentle without being empty. They give you soft scenery, warm food, odd little creatures, and characters trying to get through a hard day without turning the story into pure sugar. If you want a calm Ghibli night for stress, low energy, or a Sunday reset, start with My Neighbor Totoro, Kiki’s Delivery Service, Whisper of the Heart, Ponyo, and selected parts of Spirited Away.

Official Studio Ghibli still used for a comfort Studio Ghibli movies watch guide
Official Studio Ghibli still via ghibli.jp.

Quick comfort watchlist

If you only want the answer, choose by mood. Watch My Neighbor Totoro when you need something soft and spacious. Watch Kiki’s Delivery Service when you feel stuck but still want hope. Watch Whisper of the Heart when you want gentle creative motivation. Watch Ponyo when you want bright, childlike energy. Watch From Up on Poppy Hill when you want a low-stakes school-and-community story with a nostalgic glow.

Comfort moodBest Ghibli pickWhy it works
Need calmMy Neighbor TotoroSlow rural scenes, gentle wonder, little conflict
Need motivationKiki’s Delivery ServiceBurnout, confidence, work, and recovery
Need optimismPonyoBright colour, simple stakes, warm family energy
Need creative sparkWhisper of the HeartWriting, craft, first love, and self-belief
Need nostalgiaFrom Up on Poppy HillClubs, community, memory, and restoration

1. My Neighbor Totoro

My Neighbor Totoro is the obvious comfort pick because it leaves room to breathe. The film has illness and worry in the background, but it spends most of its time on moving house, waiting for buses, looking at trees, running through fields, and discovering that the world might be kinder and stranger than it first appears. It is comforting because it does not force constant plot at you.

For a stressful day, that spaciousness matters. Totoro is not a productivity film. It is not asking you to solve anything. It lets you sit in a rainy bus stop, listen to insects, and believe for a while that help can arrive in a shape you did not expect. It is also one of the best choices for families, so pair it with the Ghibli movies for kids by age guide if you are choosing for younger viewers too.

2. Kiki’s Delivery Service

Kiki’s Delivery Service is comfort with a little more emotional bite. Kiki leaves home, starts work, loses confidence, and has to rebuild her sense of self without a dramatic villain to blame. That makes it one of the most useful Studio Ghibli films for adults who are tired, creatively blocked, or quietly wondering why something that used to feel natural now feels difficult.

The comfort comes from the film’s practical kindness. People feed Kiki, hire her, tease her, help her, and give her space. The seaside town feels alive without being overwhelming. Jiji adds humour without turning the film into a gag machine. By the end, Kiki has not conquered the world. She has simply found enough confidence to keep going, which is often the more useful fantasy.

3. Whisper of the Heart

Whisper of the Heart is one of the best comfort movies for creative people because it understands the awkward middle stage of wanting to be good at something. Shizuku reads, writes, gets embarrassed, compares herself, wastes time, tries again, and slowly realises that talent needs practice. The film is gentle, but it is not lazy. It respects the discomfort of becoming serious about your own work.

Use this one when you want a calm film that still nudges you forward. The antique shop, train rides, school scenes, and city views make it cosy, while Shizuku’s writing arc gives it shape. It is less magical than Totoro, but it may be more motivating if the stress you are feeling is tied to work, study, or a creative project.

4. Ponyo

Ponyo is pure splashy comfort if you are in the right mood. It is bright, odd, watery, and full of tiny domestic pleasures: ramen, lamps, boats, blankets, and children taking the world at face value. The story has danger, but the emotional register is much softer than the studio’s heavier films.

This is the Ghibli film to choose when you do not want to decode a complicated ending or sit with a devastating theme. It is especially good for family comfort watching, and it links naturally with our guide to movies like Ponyo if you want more gentle, water-and-wonder energy afterwards.

5. From Up on Poppy Hill

From Up on Poppy Hill is a quieter comfort pick. It has school clubs, old buildings, handwritten messages, meals, harbour views, and young people trying to preserve something meaningful. The emotional stakes are real, but the film’s pace is steady and nostalgic rather than frightening.

It works well when you want a Ghibli film without monsters, spirits, or huge fantasy sequences. The comfort is social rather than magical: people cleaning, cooking, organising, remembering, and trying to honour the past without getting trapped by it.

6. The Secret World of Arrietty

The Secret World of Arrietty is a lovely low-volume choice. Its miniature world turns ordinary household objects into landscapes, tools, and hiding places. The film has sadness and danger, but its main pleasure is scale: sugar cubes, pins, leaves, floorboards, and rain suddenly feel important.

Choose it when you want a film that rewards attention without demanding emotional armour. It is also a good bridge between cosy family viewing and more reflective Ghibli stories, especially for viewers who enjoy the studio’s details more than its big adventures.

What about Spirited Away?

Spirited Away can absolutely be comforting, but it depends on the viewer. The bathhouse is crowded, strange, and sometimes frightening. For some people, that makes it too intense for a stress-recovery watch. For others, Chihiro’s gradual steadiness is exactly the comfort: she enters a chaotic place, remembers who she is, and comes out stronger.

If you are new to the studio, our which Studio Ghibli movie should I watch first guide may help you decide whether to begin with a gentle film like Totoro or a bigger classic like Spirited Away. If cats are your comfort lane, the Studio Ghibli movies with cats guide is another useful next stop.

Comfort does not mean nothing happens

The best Ghibli comfort films are not empty background noise. They work because they make ordinary care feel meaningful. Someone cooks. Someone waits. Someone cleans a room, fixes a bicycle, delivers a parcel, writes a story, or makes a home feel safe. The stakes are human-sized, which can be more relaxing than a film that insists the whole world must be saved every ten minutes.

For a complete route through the catalogue, use the Studio Ghibli movies in order guide. For a comfort-only night, though, keep the choice simple: Totoro for calm, Kiki for burnout, Whisper for creativity, Ponyo for brightness, and Poppy Hill for nostalgia.

FAQ

What is the most comforting Studio Ghibli movie?

My Neighbor Totoro is the safest all-round answer. It is gentle, beautiful, easy to follow, and full of small moments that feel restorative rather than demanding.

Which Ghibli movie is best for burnout?

Kiki’s Delivery Service is the best burnout pick because it deals directly with losing confidence, needing rest, accepting help, and slowly returning to work without pretending recovery is instant.

Which comfort Ghibli film should families choose?

For younger children, start with My Neighbor Totoro or Ponyo. For older children and teens, Kiki’s Delivery Service and Whisper of the Heart add more emotional and creative themes while staying gentle.

Image note: the featured and inline image used on this page is an official Studio Ghibli still from ghibli.jp, where the work pages include the common-sense usage notice: ※画像は常識の範囲でご自由にお使いください。

Best Studio Ghibli Movies for Teenagers: Age-by-Age Watch Guide

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Kiki flying over Koriko in Kiki’s Delivery Service, official Studio Ghibli still
Official Studio Ghibli still from Kiki’s Delivery Service.

The best Studio Ghibli movies for teenagers are usually the films that respect big feelings without talking down to the viewer: Kiki’s Delivery Service, Whisper of the Heart, Spirited Away, Princess Mononoke, Howl’s Moving Castle, and The Wind Rises. For younger teens, start with confidence, friendship, school-age courage, and family-safe adventure. For older teens, move into identity, romance, environmental conflict, grief, ambition, and the cost of growing up.

This guide is built for parents, teachers, new fans, and teenagers choosing a first watch. It is spoiler-light, age-aware, and focused on what each film gives a teen viewer emotionally, not just whether it is famous.

Kiki flying over Koriko in Kiki’s Delivery Service, official Studio Ghibli still
Official Studio Ghibli still from Kiki’s Delivery Service.

Quick picks: the best Studio Ghibli movies for teenagers

Teen viewerBest first picksWhy it works
12-13Kiki’s Delivery Service, My Neighbor Totoro, PonyoGentle, hopeful, easy to follow, and good for family viewing.
13-15Spirited Away, Castle in the Sky, Whisper of the HeartAdventure, independence, courage, and first steps into bigger feelings.
15-17Howl’s Moving Castle, Princess Mononoke, NausicaäRicher themes, moral conflict, romance, war, nature, and identity.
Older teensThe Wind Rises, Grave of the Fireflies, Only YesterdayMore mature emotional weight, historical context, regret, and reflection.

1. Kiki’s Delivery Service

Kiki’s Delivery Service is one of the strongest Ghibli films for early and mid-teen viewers because it turns independence into something practical and recognisable. Kiki leaves home, finds work, loses confidence, feels isolated, and slowly learns that growing up is not one clean transformation. It is a cycle of trying, failing, resting, and trying again.

That makes the film especially useful for teenagers dealing with school pressure, creative burnout, moving somewhere new, social anxiety, or the awkward moment when a hobby starts to feel like a responsibility. It is gentle enough for younger teens, but it has a surprisingly adult understanding of confidence. Kiki does not fix everything by believing harder. She needs friendship, routine, rest, and a reason to reconnect with her own abilities.

2. Whisper of the Heart

Whisper of the Heart is arguably the most directly teenage Studio Ghibli movie. It is about school, reading, first love, ambition, jealousy, uncertainty, and the frightening question of whether a dream is real or just a romantic idea. Shizuku wants to become a writer, but the film is honest about the gap between wanting an identity and doing the work required to earn it.

For teens who are creative, academic, self-critical, or starting to compare themselves with talented friends, this is a brilliant choice. It treats teenage ambition seriously without making it melodramatic. The lesson is not “follow your dream and everything will be easy.” It is closer to: test the dream, practise, accept feedback, and let the first imperfect attempt teach you who you are becoming.

3. Spirited Away

Spirited Away works for a wide teen age range because Chihiro’s journey is both fantasy adventure and emotional survival story. She is dropped into a strange world where adults are compromised, names have power, work is confusing, and kindness matters. For many teenagers, that feels less like fantasy than it first appears.

The film is a great step after gentler Ghibli picks because it has scares, strangeness, greed, loneliness, and moments of real peril, but it is not cynical. Chihiro grows through attention, memory, manners, bravery, and care for others. If someone is new to Ghibli and old enough for slightly eerie imagery, this is still one of the safest “why everyone talks about this studio” recommendations. For a broader route through the catalogue, pair it with the site’s Studio Ghibli movies in order guide.

4. Castle in the Sky

Castle in the Sky is ideal for teens who want a more classic adventure. It has sky pirates, ancient technology, chase scenes, secret identities, and a clean sense of momentum. Underneath the fun, though, it also gives teenagers a strong story about trust, courage, greed, and what people do with power.

It is a useful pick for viewers who might find the quieter Ghibli films too slow at first. The adventure hook is immediate, but the themes still have weight. Pazu and Sheeta are young heroes who are not powerful because they dominate the world. They are powerful because they refuse to treat wonder as something to own.

5. Howl’s Moving Castle

Howl’s Moving Castle is especially good for older teens who enjoy romance, fantasy, style, and emotional messiness. It is not the neatest Ghibli story, but that is part of its appeal. Sophie, Howl, Calcifer, and the castle all feel like pieces of a life under pressure: insecurity, vanity, fear, tenderness, and the desire to be seen clearly.

For teenagers, the film can open useful conversations about self-image, war, avoidance, responsibility, and love that is not just glamorous but caretaking. It is more emotionally complicated than a simple fairy tale. If a teen likes romance, magical visuals, and characters who are flawed rather than perfectly heroic, this is often the film that makes Ghibli click.

6. Princess Mononoke

Princess Mononoke is best for older teens, not because younger viewers cannot admire the visuals, but because the conflict is morally dense. There is violence, injury, rage, environmental destruction, and no easy “good side versus bad side” answer. That complexity is exactly why it can be valuable for mature teenage viewers.

The film asks viewers to hold competing truths at once. The forest matters. Human survival matters. Industry can harm, but communities also need protection and work. San and Ashitaka are memorable because they are not simple symbols. They are young people trying to act with courage inside a damaged world. For teens ready for heavier themes, this is one of Ghibli’s richest films.

7. The Wind Rises

The Wind Rises is a better fit for older teens than for children. It is quieter, more historical, and more reflective than the fantasy films. Its central question is difficult: what happens when beauty, talent, ambition, and harm become tangled together?

That makes it valuable for teenagers thinking seriously about careers, art, engineering, responsibility, or the compromises adults make. It is not a conventional comfort watch. It is a film to discuss afterwards. A teen who wants action may bounce off it, but a teen drawn to history, design, aviation, or moral ambiguity may find it unforgettable. For a deeper route through release context, use the Studio Ghibli movies by year timeline.

Movies to save for later or watch with context

Grave of the Fireflies deserves special care. It is one of the most important animated films ever made, but it is emotionally devastating and should not be treated as a casual teen movie night pick. Older teens can absolutely watch it, especially with historical context and room to talk afterwards, but it is not the same kind of recommendation as Kiki or Spirited Away.

Only Yesterday can also work better later. Its reflective adult perspective may be meaningful for older teens, especially those thinking about identity and memory, but younger viewers may find it slow. Ghibli has enough range that there is no need to force the heaviest or quietest films first.

Best watch order for teenagers

If you are building a teen-friendly mini-marathon, start with Kiki’s Delivery Service, then move to Spirited Away, Castle in the Sky, Howl’s Moving Castle, and Princess Mononoke. Add Whisper of the Heart when the viewer is in the mood for a grounded school-and-dreams story. Save The Wind Rises and Grave of the Fireflies for older teens who actively want something more mature.

For younger siblings watching too, cross-check the Studio Ghibli movies for kids by age guide. For older viewers, the Ghibli movies for adults guide is the natural next step.

FAQ

What is the best first Studio Ghibli movie for a teenager?

For most teenagers, start with Spirited Away or Kiki’s Delivery Service. Choose Spirited Away for fantasy and wonder, or Kiki for confidence, independence, and a gentler emotional entry point.

Is Princess Mononoke okay for teenagers?

Yes for many older teens, but it includes violence, injury, and intense environmental conflict. It is better as a thoughtful watch than a casual background movie.

Which Studio Ghibli movie is best for creative teens?

Whisper of the Heart is the standout. Kiki’s Delivery Service is also excellent for teens dealing with burnout, pressure, or losing confidence in something they love.

Should teenagers watch Ghibli dubbed or subtitled?

Either is fine. The best choice is the one that lets the viewer connect with the film. If subtitles feel like homework, start dubbed and revisit subtitled later. The site’s dub vs sub guide covers this in more detail.

Image source: Studio Ghibli official Kiki’s Delivery Service work page. The official page includes the common-sense usage notice: ※画像は常識の範囲でご自由にお使いください。

Best Studio Ghibli Coming-of-Age Movies: A Gentle Watch Guide

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Anna and Marnie from When Marnie Was There in an official Studio Ghibli still
Official Studio Ghibli still from When Marnie Was There via ghibli.jp, used under Studio Ghibli common-sense image guidance.

If you want Studio Ghibli at its most tender, start with the coming-of-age stories. These are the films where children and teenagers learn how to be brave, independent, kind, or honest with themselves, often without a traditional villain or a loud final battle.

Quick answer: the best Studio Ghibli coming-of-age movies are Kiki’s Delivery Service, Spirited Away, Whisper of the Heart, When Marnie Was There, My Neighbor Totoro, From Up on Poppy Hill, The Secret World of Arrietty, and Only Yesterday. For first-time viewers, Kiki is the gentlest entry, while Spirited Away is the strongest all-round pick.

Anna and Marnie from When Marnie Was There in an official Studio Ghibli still
Official Studio Ghibli still from When Marnie Was There, via ghibli.jp.

Best Studio Ghibli coming-of-age movies at a glance

MovieBest forComing-of-age angle
Kiki’s Delivery ServiceGentle independenceKiki leaves home, loses confidence, then learns a healthier kind of self-belief.
Spirited AwayFirst-time viewersChihiro grows from frightened and passive into resourceful, loyal, and self-directed.
Whisper of the HeartCreative teenagersShizuku learns that talent needs effort, patience, and the courage to make imperfect work.
When Marnie Was ThereEmotional healingAnna begins to understand loneliness, family, memory, and her own worth.
My Neighbor TotoroYounger familiesSatsuki and Mei process change, worry, and wonder while their mother is ill.
From Up on Poppy HillOlder teensUmi balances school, grief, responsibility, and first love in postwar Yokohama.

1. Kiki’s Delivery Service

Kiki’s Delivery Service may be the clearest Ghibli coming-of-age film because its conflict is so recognisable. Kiki is not trying to defeat evil. She is trying to live away from home, do useful work, make friends, and keep believing in herself when the early excitement wears off.

That makes it one of the best Ghibli films for viewers who want comfort without fluff. Kiki’s magical burnout feels a lot like ordinary creative burnout. Her recovery is not a neat motivational speech. It is rest, support, humility, and action coming back together. If Pete’s readers are choosing one film for a cosy but meaningful night, this is the safest recommendation.

2. Spirited Away

Spirited Away is bigger, stranger, and more intense, but it is also one of Ghibli’s best stories about growing up. Chihiro begins the film scared, sulky, and dependent on adults who are suddenly unable to protect her. By the end, she has learned names, rules, loyalty, restraint, and courage.

The genius of the film is that Chihiro does not become a superhero. She becomes attentive. She notices what others miss. She remembers what matters. That makes the film especially useful in a watch guide because it works for both fantasy fans and people looking for a character-led growth story. If you are building a viewing path, pair it with the site’s Studio Ghibli movies in order guide.

3. Whisper of the Heart

Whisper of the Heart is the best Ghibli pick for creative teenagers and adults who remember being creative teenagers. Shizuku wants her life to mean something, but she has not yet learned the gap between dreaming and doing. Her writing project is exciting, embarrassing, and necessary all at once.

That is why the film belongs on a coming-of-age list even though it is quieter than the fantasy titles. It understands ambition before polish. It shows a young person testing a possible self and discovering that wanting to be good at something is only the beginning. For readers searching for films like Kiki but with less magic, this should be the next stop.

4. When Marnie Was There

When Marnie Was There is more inward and emotionally mysterious. Anna’s growth is not about leaving home or choosing a career. It is about believing she is not fundamentally unwanted. That makes it one of the most moving Ghibli coming-of-age films, especially for viewers who connect with loneliness, anxiety, or family questions.

This is not the first Ghibli film I would hand to a very young child, but it is a strong recommendation for older kids, teens, and adults who like gentle melancholy. It also pairs well with the site’s sadder rankings because it shows that Ghibli sadness is often less about shock and more about release.

5. My Neighbor Totoro

My Neighbor Totoro is sometimes described as almost plotless, but for a coming-of-age guide that is part of its value. Satsuki and Mei are not on a quest. They are living inside a season of uncertainty. Their mother is in hospital, their new home is unfamiliar, and the adults cannot make every fear disappear.

Totoro, the Catbus, and the forest spirits give the film its magic, but the emotional centre is childhood resilience. Satsuki tries to be older than she is. Mei reacts like a small child because she is one. The film respects both of them. For families, this is one of the gentlest entries, and the My Neighbor Totoro hub is the natural next internal link.

6. From Up on Poppy Hill

From Up on Poppy Hill is a grounded coming-of-age story about memory, responsibility, and rebuilding. Umi is already capable at the start, which makes her different from Kiki or Chihiro. Her growth is quieter: she learns how to carry family history without letting it flatten her future.

The school clubhouse plot gives the movie a warm communal shape. It is a good pick for readers who want romance, period detail, and everyday stakes rather than spirits and witches. In search terms, this film is useful because people looking for “Ghibli movies for teens” often want exactly this sort of mature but still gentle story.

7. The Secret World of Arrietty

The Secret World of Arrietty follows a tiny borrower stepping into danger, responsibility, and trust. Arrietty wants independence, but the film keeps asking what independence costs when your family is vulnerable. That gives the movie a slightly sharper edge than its delicate visuals suggest.

It is also a useful recommendation for viewers who love small worlds, hidden houses, gardens, and low-key adventure. As a coming-of-age story, it is about learning when to be brave and when to protect the people who rely on you.

8. Only Yesterday

Only Yesterday is technically an adult reflection on childhood, but it still belongs in this guide. Taeko’s memories of school, family pressure, embarrassment, and small disappointments shape the adult choices she is trying to make. The film shows that coming of age does not always end when you leave childhood.

For younger viewers it may feel slow. For adults, it can be one of the most honest Ghibli films. Recommend it when the reader wants emotional realism rather than an obvious adventure.

Best first pick for different viewers

  • For a first Ghibli movie: choose Spirited Away.
  • For cosy comfort: choose Kiki’s Delivery Service.
  • For younger children: choose My Neighbor Totoro.
  • For creative teens: choose Whisper of the Heart.
  • For emotional healing: choose When Marnie Was There.
  • For grounded teen romance: choose From Up on Poppy Hill.

FAQ

What is the best Studio Ghibli coming-of-age movie?

Spirited Away is the best overall choice because it combines fantasy, character growth, visual imagination, and broad accessibility. Kiki’s Delivery Service is the gentlest and most direct coming-of-age story.

Which Studio Ghibli movie is best for teenagers?

Whisper of the Heart, Kiki’s Delivery Service, From Up on Poppy Hill, and When Marnie Was There are especially strong for teenagers because they focus on identity, confidence, creativity, friendship, and family.

Are these films suitable for children?

My Neighbor Totoro and Kiki’s Delivery Service are the safest starting points for younger children. Spirited Away is wonderful but stranger and more intense. For age-specific picks, use the site’s Studio Ghibli movies for kids by age guide.

Image source note: featured and inline imagery uses an official Studio Ghibli still from ghibli.jp. Studio Ghibli’s official work pages include the common-sense image-use notice: 「※画像は常識の範囲でご自由にお使いください。」

Are Studio Ghibli Movies on Disney Plus? Streaming Guide for Max, Netflix and Legal Watching

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Official Studio Ghibli still from Spirited Away used for a rainy day Studio Ghibli watch guide
Official Studio Ghibli still from Spirited Away. Source: ghibli.jp.

Short answer: no, Studio Ghibli movies are not normally a Disney Plus library in the US or UK. If you are trying to stream Spirited Away, My Neighbor Totoro, Howl’s Moving Castle, Kiki’s Delivery Service, Princess Mononoke, or Ponyo, the legal answer usually depends on your country. In the United States, the main streaming home is Max. In many countries outside the US and Japan, Netflix has carried a large Studio Ghibli collection. Disney Plus is not the default place to look.

This guide is designed for the common search question, “Are Studio Ghibli movies on Disney Plus?” It gives the quick answer first, then explains where to check legally, why the rights are confusing, and what to do if a film is missing in your region.

Official Studio Ghibli still from Spirited Away used for a rainy day Studio Ghibli watch guide
Official Studio Ghibli still. Source: ghibli.jp.

Quick streaming answer by region

RegionWhere to startWhat to know
United StatesMaxMax describes itself as the exclusive streaming home of Studio Ghibli in the US.
Many countries outside the US and JapanNetflixNetflix extended its partnership to release Studio Ghibli films outside the US and Japan.
Disney PlusUsually not the answerDisney Plus is not the normal home for the main Studio Ghibli library.
Rental or purchaseApple TV, Amazon, YouTube, Google TV, Microsoft, or local servicesAvailability changes by country and film, so search the exact title.
Physical mediaBlu-ray, DVD, collector editionsThe most reliable option if streaming rights shift or a title disappears.

If you are new to the films and just need a viewing route, use our Studio Ghibli movies in order guide after you know which service has them in your region.

Are Studio Ghibli movies on Disney Plus?

For most viewers, the practical answer is no. Disney Plus is not where you should expect to find the main Studio Ghibli catalogue. The confusion is understandable because Disney historically handled some English-language distribution for Ghibli films in earlier home-video eras, and many people still associate Ghibli with Disney dubs, Disney DVDs, or childhood releases.

Streaming rights are different from old home-video distribution. A film can have had a Disney DVD release years ago without being part of the Disney Plus subscription library today. That is why someone may remember seeing a Disney logo on a disc or trailer, then search Disney Plus and find nothing.

The better approach is to check your country’s current streaming service listings and the official platform pages. For the US, start with Max. For many international regions, start with Netflix. For everything else, check legal rental, purchase, library, cinema, or physical-media options.

Where do Studio Ghibli movies stream in the US?

In the United States, Max is the key service to check first. Warner Bros. Discovery’s Max page for Studio Ghibli says viewers can stream the legendary animation studio’s movies in one place and describes Max as the exclusive streaming home of Studio Ghibli. GKIDS also announced the HBO Max streaming arrangement when the deal began, describing HBO Max as the US streaming home for the Studio Ghibli film library.

That does not mean every related Ghibli-adjacent item, stage production, documentary, short, or cinema event will always be on Max. It means that for the core feature-film question, Max is the default legal streaming answer in the US.

If a title is not visible, search the exact title rather than only searching “Studio Ghibli.” Rights, app categories, bundles, and interface labels can change. Also remember that streaming catalogues can vary by subscription tier, date, and licensing window.

Where do Studio Ghibli movies stream outside the US?

Outside the US and Japan, Netflix has been the major streaming home for many Studio Ghibli films. Netflix’s own newsroom has described an extended partnership with Goodfellas and GKIDS to release Studio Ghibli films outside the US and Japan. In practice, that means Netflix is usually the first place many international viewers should check.

There are two important caveats. First, “outside the US and Japan” is still broad language, and local availability can vary. Second, streaming libraries change. If Netflix in your country does not show a specific title, use the film’s official title in your local app search, then check legal rental and purchase services.

If you are in the UK, Europe, Australia, or another region where Netflix lists a Ghibli collection, the easiest viewing route is often to combine Netflix availability with a beginner-friendly sequence such as which Studio Ghibli movie to watch first.

Why are the rights so confusing?

Studio Ghibli is a Japanese studio with international distribution handled through different partners in different territories. English dubs, cinema re-releases, physical-media editions, streaming subscriptions, and digital rentals can all involve different companies. That creates a messy memory trail for viewers.

Someone in the US may remember GKIDS, Disney, HBO Max, Max, Fathom Events, or Blu-ray releases. Someone outside the US may see Netflix as the obvious answer. Someone else may have an older DVD with Disney branding and assume the film should be on Disney Plus. None of those memories are ridiculous. They are just from different rights windows and formats.

The practical rule is simple: do not use old logos as your guide. Check the current legal streaming service in your country, then use rental or physical media if the film is not included.

Is Spirited Away on Disney Plus?

Spirited Away is the title that causes the most confusion because it is one of the most famous Ghibli films and many English-speaking viewers encountered it through earlier Disney-associated releases. But for streaming, Disney Plus is still not the normal first stop.

In the US, look for Spirited Away on Max. In many other countries, check Netflix. If neither service has it in your region, search for legal rental or purchase options. For new viewers, Spirited Away is also one of the strongest starting points, especially if you want a film that shows Ghibli’s fantasy, emotional strangeness, food imagery, and coming-of-age storytelling in one place.

What if a movie is missing?

If the exact film is missing from your subscription service, try this checklist:

  • Search the film title directly, including alternate punctuation such as Howl’s Moving Castle versus Howls Moving Castle.
  • Check whether your country uses Max, Netflix, or a local rights holder.
  • Look for legal rental or purchase on major digital storefronts.
  • Check Blu-ray or DVD if you want reliable long-term access.
  • For cinema events, follow GKIDS in North America and official local distributors elsewhere.

Avoid random upload sites. They can be low-quality, unsafe, illegal, and bad for the films you are trying to support.

Best first Studio Ghibli films once you find them

If your service has a big collection and you are not sure where to begin, start with one of these:

  • For families: My Neighbor Totoro or Ponyo.
  • For beginners who want magic: Spirited Away or Howl’s Moving Castle.
  • For cosy independence: Kiki’s Delivery Service.
  • For older viewers who want intensity: Princess Mononoke.
  • For a quiet emotional watch: When Marnie Was There.

Parents should also check our age-by-age Studio Ghibli guide, because “animated” does not always mean equally gentle. Some Ghibli films are perfect for young children, while others are better for teens or adults.

FAQ

Does Disney own Studio Ghibli?

No. Studio Ghibli is not a Disney studio. Disney has been connected to some older English-language distribution history, but that does not make the main Ghibli catalogue a Disney Plus library.

Is Max the only place to stream Studio Ghibli in the US?

Max is the main US subscription streaming home to check first. Rental, purchase, physical media, cinema events, and special releases are separate from subscription streaming.

Is Netflix the Ghibli streaming home everywhere?

No. Netflix has carried Ghibli films in many regions outside the US and Japan, but availability can still vary by country and by title.

Why can I buy a Ghibli movie on one platform but not stream it there?

Digital purchase and subscription streaming are separate rights. A platform may sell or rent a movie without including it inside its monthly subscription catalogue.

Sources checked for this guide include the official Max Studio Ghibli page, the GKIDS announcement of HBO Max US streaming rights, and Netflix’s newsroom note that it extended its partnership to release Studio Ghibli films outside the US and Japan. Image note: featured and inline imagery uses official Studio Ghibli stills from ghibli.jp, whose work pages include the common-sense usage notice: ※画像は常識の範囲でご自由にお使いください。

Studio Ghibli Movies for Kids by Age: Parent-Friendly Watch Guide

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Official Studio Ghibli still from Ponyo used as a family-friendly watch guide image.
Official Studio Ghibli still from Ponyo. Source: ghibli.jp.

Quick answer: the best Studio Ghibli movies for younger children are usually My Neighbor Totoro, Ponyo, and Kiki’s Delivery Service. Older children can usually move into Castle in the Sky, Whisper of the Heart, The Secret World of Arrietty, and Spirited Away. The trick is not just age rating. It is the child’s tolerance for peril, sadness, spirits, separation, and long quiet scenes.

This guide is written for parents, grandparents, and family movie-night planners who want the Studio Ghibli magic without accidentally choosing one of the heavier films first. Ghibli movies are often gentle, but they are not all made for the same emotional age. Some are soft, funny, and cozy. Some are strange but manageable. Some are masterpieces that can still be too intense for sensitive younger viewers.

Official Studio Ghibli still from Ponyo used as a family-friendly watch guide image.

Best first Ghibli picks for ages 4 to 6

Start with: My Neighbor Totoro and Ponyo. These are the safest entry points for most small children because the stories are simple, visual, and warm. Totoro is built around sisters, countryside days, rain, dust sprites, a Catbus, and the feeling of discovering magic near home. There is anxiety around a parent’s illness, but the film is much more comforting than frightening.

Ponyo is brighter and busier. It works well for children who like ocean imagery, food scenes, big emotions, and fairy-tale logic. There is a storm and some mild peril, but the tone remains buoyant. If a child is easily unsettled by noisy weather, watch it with them rather than using it as a solo bedtime movie.

Maybe wait on: Spirited Away, Princess Mononoke, Grave of the Fireflies, and The Boy and the Heron. These are not bad films for children in general, but they ask for more emotional processing than most preschoolers are ready to do.

Best Ghibli picks for ages 7 to 9

This is where the watch list opens up. Kiki’s Delivery Service is one of the best choices for early school-age kids because its central problem is understandable: Kiki wants independence, loses confidence, and has to find her way back to herself. The stakes are real without being overwhelming, and Jiji gives younger viewers an easy character to latch onto.

The Secret World of Arrietty is another strong choice for this age range. It has small-scale adventure, a clear sense of danger, and a gentle pace. It is especially good for children who enjoy tiny-world stories, dollhouses, gardens, and secret spaces. Whisper of the Heart can also work, especially for thoughtful kids, though some may find its romance and creative ambition quieter than the fantasy films.

Good family-night order: Totoro, then Kiki, then Arrietty, then Ponyo if you have not already watched it. This gives children a soft path through Ghibli’s cozy side before the stranger or darker films.

Best Ghibli picks for ages 10 to 12

For older children, Castle in the Sky becomes a great adventure pick. It has chases, pirates, airships, robots, and a big mystery, but the violence is usually pulpy rather than traumatic. It is a good bridge between gentle Ghibli and more complex Ghibli.

Spirited Away often lands beautifully at this age, especially for children who enjoy fantasy and can handle unsettling creatures. It is not graphically violent, but it is emotionally intense. The parents becoming pigs, No-Face’s appetite, and the strangeness of the bathhouse can be a lot for younger viewers. For a confident 10 or 11-year-old, though, it can be the movie that makes them a lifelong Ghibli fan.

Nausicaä of the Valley of the Wind and Howl’s Moving Castle can also work here, depending on the child. Nausicaä has war, insects, and sacrifice. Howl has romance, war imagery, body transformation, and dreamlike plot logic. They are wonderful, but they make more sense when a child is comfortable with ambiguity.

Teen-friendly Ghibli movies

Teen viewers can usually handle the full emotional range of Studio Ghibli, but that does not mean every film belongs in a light family slot. Princess Mononoke is one of the studio’s great films, but it includes blood, severed limbs, animal gods in pain, and a morally complicated conflict between industry and nature. It is better treated as a proper movie night than as a casual cartoon pick.

The Wind Rises is more mature in a different way. It is reflective, romantic, and historically grounded, with a focus on ambition, illness, beauty, and the cost of creating things that can be used for harm. Many teenagers will appreciate it more than younger children because it is not driven by constant action.

Only Yesterday, Ocean Waves, From Up on Poppy Hill, and When Marnie Was There are also stronger for older children and teens. Their drama is quieter, more social, and more internal.

Ghibli movies to approach carefully with children

Grave of the Fireflies deserves special mention. It is a Studio Ghibli film, but it should not be grouped with cozy family recommendations. It is a devastating war story about children, hunger, loss, and survival. It is important cinema, not a general kids’ movie.

The Tale of the Princess Kaguya is visually beautiful and often gentle, but its sadness and ending can hit hard. Pom Poko has playful animal comedy, but it also includes death, environmental loss, and cultural references that may need explaining. Tales from Earthsea and The Boy and the Heron can feel darker or more confusing for younger viewers than parents expect from the Ghibli name alone.

A simple family watch order

  1. My Neighbor Totoro for the softest first step.
  2. Kiki’s Delivery Service for independence, confidence, and gentle adventure.
  3. Ponyo for color, movement, and fairy-tale energy.
  4. The Secret World of Arrietty for small-scale suspense.
  5. Castle in the Sky for adventure and action.
  6. Spirited Away when the child is ready for stranger fantasy.
  7. Howl’s Moving Castle for older kids who enjoy romance and dream logic.
  8. Princess Mononoke for teens ready for violence and moral complexity.

If you want a broader route through the whole catalogue, use our Studio Ghibli movies in order guide. For gentle ocean-fantasy follow-ups, see the movies like Ponyo family watch guide. For heavier choices, compare this with our darkest Studio Ghibli movies ranked guide.

Parent checklist before pressing play

  • Is the child sensitive to separation? Be careful with stories involving missing parents, illness, or children away from home.
  • Do spirits or transformations scare them? Save Spirited Away until they enjoy strange fantasy rather than just cute fantasy.
  • Do they need fast pacing? Some Ghibli films are quiet and observational. That is part of the charm, but it may not suit every child yet.
  • Are you watching near bedtime? Choose Totoro, Kiki, or Ponyo over the darker films.
  • Will you talk afterwards? Ghibli is often best as a shared watch because children may have questions about sadness, nature, work, courage, and fear.

FAQ

What is the safest Studio Ghibli movie for young kids?

My Neighbor Totoro is usually the safest first choice. It has a warm tone, memorable creatures, and very little conventional danger, although the family illness subplot may need a simple explanation.

Is Spirited Away too scary for kids?

It depends on the child. Many older children love it, but younger or sensitive viewers may find the transformed parents, spirit world, and No-Face scenes unsettling. It is better as a shared family watch than a first Ghibli film for small kids.

Are all Studio Ghibli movies made for children?

No. Studio Ghibli has made gentle family films, teen-friendly adventures, adult dramas, and very sad war stories. The studio’s reputation for wonder is real, but the catalogue covers a wide emotional range.

Image source: official Studio Ghibli still from Ponyo via ghibli.jp. Studio Ghibli’s official work pages include the usage note: “※画像は常識の範囲でご自由にお使いください。”

Best Studio Ghibli Villains and Antagonists Ranked

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Official Studio Ghibli still for a villains and antagonists ranking
Official Studio Ghibli still from Spirited Away. Source: ghibli.jp.

Quick answer: the best Studio Ghibli villains and antagonists are rarely simple “bad guys.” Lady Eboshi, Yubaba, No-Face, Muska, the Witch of the Waste, and Colonel Muska stand out because they reveal what each film is really worried about: greed, fear, war, loneliness, environmental damage, and the cost of power. This ranking focuses on how memorable they are, how much pressure they put on the hero, and how interesting they become on a rewatch.

One reason Studio Ghibli movies last is that many of their conflicts do not collapse into hero versus monster. A character can be frightening and still human. A spirit can be dangerous because it is hurt. A ruler can be selfish without being one-note. That makes Ghibli antagonists useful to rank, but tricky to judge. The most interesting ones are not always the most evil. They are the characters who make the film’s themes sharper.

Official Studio Ghibli still for a guide to Ghibli villains and antagonists
Official Studio Ghibli still. Source: ghibli.jp.

1. Lady Eboshi, Princess Mononoke

Lady Eboshi is the best kind of Ghibli antagonist because she is both wrong and understandable. She destroys the forest, wounds the gods, and escalates the conflict at the heart of Princess Mononoke. At the same time, she protects people who have been rejected by the wider world, including former brothel workers and lepers. Iron Town is not just a villain base. It is a home, a workplace, and a fragile refuge.

That contradiction makes her more compelling than a straightforward villain. Eboshi represents human progress without restraint, but she is not motivated by cartoon cruelty. She wants security, independence, weapons, and economic power for her people. The tragedy is that her version of survival treats the forest as something to conquer. Ashitaka’s challenge is not simply to defeat her. It is to see with clear eyes when every side has a wound and every victory has a cost.

2. Yubaba, Spirited Away

Yubaba is one of Ghibli’s most entertaining antagonists: loud, greedy, theatrical, and genuinely intimidating. She steals names, controls workers, hoards wealth, and runs the bathhouse like a magical business where every relationship has a contract attached. For Chihiro, Yubaba is scary because she turns childhood vulnerability into paperwork, labour, and rules that cannot be escaped by crying.

What makes Yubaba great is her mixture of menace and comedy. She is powerful, but also ridiculous. She adores her giant baby, fusses over details, panics when things go wrong, and seems trapped by the same system she profits from. She gives Spirited Away a clear face for greed and control, while still belonging perfectly to the film’s dream logic.

3. No-Face, Spirited Away

No-Face is not a villain in the traditional sense, but he is one of the most frightening forces in any Ghibli film. He absorbs the bathhouse’s appetite and mirrors it back in monstrous form. When workers respond to him with greed, he becomes greedier. When he is lonely, he becomes clingy. When he consumes others, he becomes louder, larger, and less like himself.

That is why No-Face is so memorable. He is less a person than a warning about emptiness, attention, and consumption. Chihiro does not defeat him with violence. She refuses to feed the behaviour, gives him medicine, and leads him away from the environment making him worse. It is one of Ghibli’s clearest examples of an antagonist who needs boundaries and kindness, not a final battle.

4. Muska, Castle in the Sky

Muska is closer to a classic adventure villain than many characters on this list, and that is part of his appeal. He is elegant, patient, manipulative, and obsessed with Laputa’s power. While Castle in the Sky has pirates, soldiers, robots, and chase scenes, Muska gives the story its cleanest threat: someone who sees a lost wonder of the world as a weapon.

He works because he is not morally complicated in the same way as Lady Eboshi. He is a power fantasy curdled into entitlement. His calm voice makes him more dangerous, and his final scenes turn the beauty of Laputa into something terrifying. For viewers who want Ghibli with a clearer villain shape, Muska is one of the studio’s strongest examples.

5. The Witch of the Waste, Howl’s Moving Castle

The Witch of the Waste begins as a frightening curse-caster who changes Sophie’s entire life. Her early presence is petty, vain, and dangerous, which makes her a strong fairy-tale antagonist. But Howl’s Moving Castle refuses to leave her there. As the film continues, her power and glamour collapse, and she becomes needy, comic, and strangely vulnerable.

That shift can surprise first-time viewers, but it fits the film’s interest in vanity, age, love, and war. The Witch is not redeemed in a neat heroic way. She remains selfish and difficult. Yet the story gradually removes the performance that made her seem untouchable. As an antagonist, she is memorable because she stops being the final boss and becomes another damaged person inside Sophie’s messy found family.

6. Kushana, Nausicaä of the Valley of the Wind

Kushana is severe, militarised, and responsible for violence, but she is not empty evil. Like many Ghibli antagonists, she is shaped by fear and survival. The world of Nausicaä is poisoned, politically unstable, and full of people trying to control what they do not understand. Kushana’s answer is force. Nausicaä’s answer is empathy, science, and trust in life systems larger than human ambition.

That contrast makes Kushana important even when she is not the most emotionally warm character. She helps the film ask whether fear can ever build a safe future. Her presence also points toward the more complicated antagonists Ghibli would later develop in Princess Mononoke.

7. Fujimoto, Ponyo

Fujimoto is not evil, but he is absolutely an obstacle. He is anxious, controlling, theatrical, and convinced that Ponyo’s contact with the human world is dangerous. For younger viewers, he may read as the scary sea wizard trying to stop the fun. For adults, he looks more like an exhausted parent terrified of losing control.

That makes him a softer antagonist, but a useful one. Ponyo is full of chaos, waves, magic, and childlike certainty. Fujimoto gives the film friction by worrying about consequences. He is wrong to cage Ponyo’s desire, but he is not wrong that the world is becoming unstable. In a gentler movie, that is enough conflict.

What makes a great Studio Ghibli antagonist?

The strongest Ghibli antagonists usually do three things. First, they pressure the hero in a way that reveals character. Chihiro becomes braver because Yubaba’s world demands work and resilience. Ashitaka becomes more morally serious because Eboshi and San both force him to reject easy answers. Second, they embody a theme rather than just a threat. Greed, war, loneliness, pollution, pride, and fear become visible through people and spirits.

Third, they leave room for complexity. Even Muska, the clearest villain here, matters because he shows what happens when wonder becomes ownership. The more nuanced figures go further. Lady Eboshi helps people while damaging the natural world. No-Face becomes monstrous because the bathhouse teaches him what to want. The Witch of the Waste begins as a curse and ends as a frail, comic reminder that power and beauty do not last forever.

Related guides

If you want to continue through the darker side of the catalogue, read our darkest Studio Ghibli movies ranked guide and the saddest Studio Ghibli movies ranked. For a broader starting route, use the Studio Ghibli movies in order guide.

FAQ

Who is the best Studio Ghibli villain?

Lady Eboshi is the best overall antagonist because she is powerful, memorable, morally complicated, and central to what Princess Mononoke is about.

Is No-Face a villain?

No-Face is better described as an antagonist or mirror character. He becomes dangerous, but the film treats him as lonely and impressionable rather than purely evil.

Does Studio Ghibli have traditional villains?

Sometimes. Muska from Castle in the Sky is the clearest classic villain. Many other Ghibli conflicts are more nuanced, with antagonists who are partly sympathetic or shaped by fear.

Image note: stills used on this page are official Studio Ghibli images from ghibli.jp, where the studio asks that images be used within common-sense bounds.

Which Studio Ghibli Movie Should I Watch First? A Beginner-Friendly Starting Guide

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Official image source: Studio Ghibli / ghibli.jp.

If you are watching Studio Ghibli for the first time, start with Spirited Away if you want the classic all-round experience, My Neighbor Totoro if you want something gentle, or Kiki’s Delivery Service if you want a warm coming-of-age story. Those three films show the studio’s range without needing any background knowledge, and each one gives a very different first impression.

Chihiro from Spirited Away, official Studio Ghibli still used for a beginner guide to choosing a first Studio Ghibli movie.
Official Studio Ghibli still from Spirited Away. Source: Studio Ghibli official works page.

The quick answer: three best first Studio Ghibli movies

The best first Ghibli movie depends less on release order and more on what kind of story you want tonight. Studio Ghibli films are not one connected franchise, so you do not need to begin with the oldest film or follow a complicated timeline. You can simply choose the mood that fits you.

Start here if you want…Best first pickWhy it works
The iconic Ghibli experienceSpirited AwayMagical, strange, emotional, visually unforgettable, and a strong summary of what people mean by “Ghibli magic.”
A gentle family-friendly introductionMy Neighbor TotoroSimple, warm, short, and ideal for younger viewers or anyone who wants comfort rather than conflict.
A cozy coming-of-age filmKiki’s Delivery ServiceEasy to love, funny, grounded, and emotionally clear without being too intense.
Adventure and fantasyCastle in the SkyFast-moving, exciting, and more like a classic adventure film than a quiet art-house watch.
A mature, epic first impressionPrincess MononokePowerful and beautiful, but heavier and more violent than the gentler entry points.

Best first choice for most adults: Spirited Away

Spirited Away is the safest recommendation for most first-time adult viewers because it captures the studio’s mix of wonder, unease, humour, detail, and emotional growth. It follows Chihiro, a young girl trapped in a spirit-world bathhouse after her parents are transformed. That setup is simple enough to follow, but the world around her feels huge, mysterious, and alive.

It is also useful as a first film because it prepares you for how Ghibli stories often work. The film is not built like a superhero origin story or a puzzle-box fantasy. It moves through encounters, textures, rituals, food, work, fear, kindness, and small acts of courage. If you enjoy that rhythm, the wider catalogue will probably open up quickly.

If you want more context after watching it, the site has a dedicated Spirited Away beginner guide and a parent-focused guide to whether Spirited Away is scary for kids.

Best first choice for families: My Neighbor Totoro

If you are choosing for children, or for a mixed family watch where nobody wants anything too scary, My Neighbor Totoro is usually the best place to begin. It is soft, funny, and short, with very little plot pressure. Instead of asking you to track complicated lore, it asks you to spend time with two sisters, a rural house, a forest, and the strange creatures who may or may not be visible to everyone.

That lightness is the point. Totoro shows the side of Ghibli that is patient, observant, and deeply interested in childhood. It is especially good if your first-time viewer might bounce off a denser fantasy story. For a broader family path, pair it with the Studio Ghibli movies for kids by age guide and the My Neighbor Totoro characters guide.

Best cozy first choice: Kiki’s Delivery Service

Kiki’s Delivery Service is the easiest first film to recommend when someone wants something comforting but not childish. It is about a young witch moving to a new town, starting a delivery business, making friends, losing confidence, and slowly learning how to keep going. The fantasy is charming, but the emotional hook is practical and familiar: leaving home, trying to be useful, and wondering why your talent suddenly feels harder than it used to.

This makes Kiki a strong entry point for teenagers, students, freelancers, creatives, and anyone who likes low-stakes stories with real emotional weight. It is less surreal than Spirited Away, less quiet than Totoro, and less intense than Princess Mononoke.

Should you watch Studio Ghibli movies in release order?

You can watch Ghibli films in release order, but it is not the best route for everyone. Release order is useful if you are interested in the history of the studio, the evolution of Hayao Miyazaki and Isao Takahata, or how the animation style changes across decades. But for a first-time viewer, mood-based order is usually better.

A better beginner route is:

  1. Spirited Away for the classic magical first impression.
  2. My Neighbor Totoro for the gentle, everyday side of the studio.
  3. Kiki’s Delivery Service for warmth and coming-of-age charm.
  4. Castle in the Sky for adventure.
  5. Princess Mononoke once you are ready for a darker, more violent epic.

If you do want a fuller route, use the Studio Ghibli movies in order watch guide or the Studio Ghibli movies by year timeline.

What not to start with

There are very few bad Studio Ghibli movies to start with, but some are easier second or third watches. Grave of the Fireflies is a masterpiece, but it is emotionally devastating and not representative of the cozy image many people have of Ghibli. The Wind Rises is beautiful and mature, but quieter and more adult than most first-time viewers expect. The Tale of the Princess Kaguya is visually extraordinary, but its style and pacing may work better once you already trust the studio.

That does not mean those films should be avoided. It just means they are not the smoothest handshake. Start with something accessible, then move into the heavier or more unusual films once you know what kind of Ghibli viewer you are.

If you only have one night

If you have one night and want the film most likely to explain the studio’s reputation, choose Spirited Away. If you want to feel calm, choose My Neighbor Totoro. If you want something uplifting and human, choose Kiki’s Delivery Service. If you want action, choose Castle in the Sky. If you want a serious epic, choose Princess Mononoke.

The important thing is not to overthink the order. Studio Ghibli is unusually friendly to jumping in anywhere. Pick the film that matches your energy, then let the next watch be guided by what you liked most: the spirits, the forests, the flying machines, the food, the music, the quiet domestic scenes, or the darker moral questions.

FAQ

What is the best Studio Ghibli movie to watch first?

For most adults, Spirited Away is the best first Studio Ghibli movie. For young children or families, My Neighbor Totoro is usually the gentlest starting point.

Do Studio Ghibli movies connect to each other?

Most Studio Ghibli films are standalone stories. You do not need to watch them in a connected universe order.

Which Ghibli movie should I avoid as a first watch?

Grave of the Fireflies is the main one to save for later if you are expecting comfort. It is important, but extremely sad.

Is Spirited Away okay for kids as a first Ghibli movie?

It can be a good first pick for older children, but some younger viewers may find the parents’ transformation, No-Face, and the bathhouse atmosphere unsettling. For a safer younger-kid first watch, choose My Neighbor Totoro or Ponyo.

Image note: The still used in this guide comes from the official Studio Ghibli image collection at ghibli.jp, where the studio includes the usage note 「※画像は常識の範囲でご自由にお使いください。」.

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